You generally don’t import an After Effects project on Premiere Pro, but you can ‘Dynamic Link’ them. Basically running your Premiere pro timeline on After Effects, vice versa wherein your Graphic works made on AE will reflect on your Premiere tim. I want to import it into Adobe Premiere Pro, so i tried File-Import, it shows the Import Files prompt, but it gets stuck there. I dont see any other window that shows what layers in After Effects that i can import. And its been like this for 20 minutes. This will continue to work after the trial period for After Effects has expired. To use it correctly, you need to import this.mogrt file to Premiere in a specific way shown below. Open Premiere and create a project. Open Essential Graphics Panel. There are two ways to do this; a. Go beyond the typical import settings. In this post we look at three additional options for getting your footage into Premiere Pro. The most common way to get footage into Premiere Pro is to import it. You do this by going to File Import, or by double clicking in the Project.

1. Adobe After Effects Vs Premiere
2. Importing After Effects Into Premiere Pro
3. Importing After Effects Into Premiere Pro
4. Open Sans Premiere After Effects
5. Export After Effects Into Premiere

Premiere Pro :: Import An MKV File Into CS6?

How do I import an MKV file into Premiere Pro CS6?

Premiere Pro :: Best Import File Format?

I have a few hours of a documentary project originally recorded in S-VHS that I wish to edit it in Premiere Pro.
What would be the best video format to have it transferred to?

Premiere Pro :: Not Getting The Import Layered File Dialog

I know in the past Premiere Pro wouldn't import a layered AI file, but is that still the case? I can get a layered PSD file to import layers as normal. When I try to import a layered AI file, I don't get the 'Import Layered File' dialog as I do with the PSD files; I get a flattened image. Is this a setting I've overlooked or is this STILL not a feature?

Premiere Pro :: Not Import Audio Of AVCHD File?

why in cs6 adobe premiere pro doesn't import the audio of the AVCHD file?

Premiere Pro :: Import MTS To Convert And Save As Video File Format?

I am using Premier Pro CS5.5. I want to know if I can import a .mts file and use Premier to convert it, or save the file as, a .mov, .wmv, .mp4 or other video file format?

Premiere Pro :: Can't Open Sequences Or Import Clips - File Format Not Supported

We have an iMac workstation here running Premiere that will not open projects or import clips. Here's the sequence of events that led to this:
1. Premiere was locking up on the splash screen whenever it got to 'ImporterQuicktime.bundle'. I tried trashing preferences and launching with plug-ins disabled and received the same freeze. Based on forum recommendations I removed 'ImporterQuicktime.bundle' and 'ExporterQuickTimeHost.bundle' from the plug-ins folder inside the package. The software launched fine - but none of the Quicktime files in the project were working. So I then took copies of the above 2 files from the iMac next to this one, with the exact same configuration, and pasted them into the plug-ins folder. Since then - launching the software has generated the below errors.
2. Attempting to open any project gives a long error that starts as: The preset used by one or more sequences in this project requires third-party components that could not be located.
3. Starting a new project and attempting to drag any Quicktime ProRes media into the project gives the error: File Format not supported.
I have trashed the preferences, re-installed the Pro Apps Quicktime Codecs, de-authorized the computer and re-authorized it, and upgraded Adobe Premiere from 7.0 to 7.2. None of which fixed the issue.
I'm thinking about trying a complete re-install of Premiere next.
Here's the details:
Premiere Pro CC 7.2
Mac OS 10.8.5
iMac late 2012 model, 32Gb RAM, 2Gb video card

Premiere Pro :: Import Video File To Project Panel from Custom Panel?

Can we import a clip to 'project' panel from custom panel in 'premier pro'.

Premiere Pro :: Adobe Not Allowing Import Of XML File Captured From Media Express Through Black Magic Capture Card

find a way to import the XML files to fix the digitized look Adobe capture gave my footage.
These are not XML from Final Cut. They are files saved from Media Express, a Black magic design program used for Capturing.

Premiere Pro :: How To Import CS3 Projects Into CC

I have several Premier cs3 projects using the Matrox system which I want to import into Premier CC. Howeer the CC will not accept the avi files that were used in the cs3 software. Do I need a special codec for matrox avi files? Where can I get that? Adobe obviously has it as I use it in the cs3 version?

Premiere Pro :: Import DVD Footage In CC

I want to import footage from a DVD (self burnt). Can I do this directly with Premiere CC or do I need a programm like Handbrake (I'm a Windows user)?

Premiere Pro :: CS6 - Does Import DV Files Used With CS5

Trying to upgrade from CS5 to CS6. Upgraded one NLE and found CS6 will not import DV files that were used with CS5. Can't believe Adobe missed this one! We create many DV files each day that can't be used with CS6. Any sort of conversion would just add another unnecessary step. Do I need to stay with CS5

Premiere Pro :: How To Import Subtitles

how to import subtitles to PPro. So far, as of writing this post, PPro does not handle subtitle files. Fortunately, I found a quick and dirty workaround to importing all kinds of subtitle formats to PPro as PNG. But firstly, there are 3rd party plug-ins that lets you import srt files into PPro and let's you edit it in PPro.
NB: Subtitles are better as a seperate file. But in case you really need to burn your subs on the video, then follow the steps below.
Steps:
1. If you have a long project and and don't want to use PPro's title module, then you must go and download Subtitle Edit. - it's a great FREE software that has an video monitor and audio waveform where you can scrub to the specific time you want.
2. Once you're done subtitling, go to File > Export > Final Cut XML + PNG (i know it's FCP but it works well with PPro too) You can then set the desired style for your subtitles, font color, size, etc. Once you've exported, it's going to output 2 main files: one, the PNG files and two, the XML file.
3. Import the XML to PPro. It's going to generate a Sequence with the subtitles as PNG in it.
4. Relink the PNGs. For whatever reason, when you import the XML, the PNGs are not linked yet.
5. Place your subtitle sequence on your main timeline. Reposition and reframe as needed.
6. Render. Might take 10% longer than usual.

Premiere Pro :: CC Hangs When Import AAF

I work on a Windows 7 machine. I have Creative Cloud. I am trying to import an aaf that my editors have sent me. They first sent me an .aaf with 'AAF edit protocol' checked and all the media imbedded in the file. It gave me a Generic Error after trying to import.
I had them re-export the .aaf this time with links to the media as instructed on all the info I could find online. On import into Premiere, it begins to import and then just hangs.It just sits there. If I click Cancel or the 'x' in the upper right of the window, then Premiere stops responding and I have to shut it down using Windows Task Manager.

Premiere Pro :: AVI Files In Adobe (can't Import)

I've just tried to import a bunch if .avi files into Adobe Premiere (OSX) but they all failed due to missing codec. Is there a way around this? I've looked at some other threads but don't understand it all and i'm on a bit of a deadline.
I've currently installing it on my windows box as i know OSX doesn't play nice with avi anyway, is it likely to work?
The avi files have multiple streams -2 camera angles are recorded, when they are loaded both show and play in sync so i'm worrying about converting to another format.

Premiere Pro :: Cannot Import 2.5K Blackmagic DNG Files Into CC

I recently moved to CC in order to be able to work with Blackmagic's DNG raw files inside Premiere Pro. The move was successfull, I could work with such files. However, all of a sudden, I cannot import them into Premiere Pro. First, I cannot select the files and import them as a sequence, because the box will not activate.
Second, when I click on the folder containing the files, Premiere tries to import them, but then an error message appears saying 'file format not supported'.
I have seen other discussion threads about failures to import Blackmagic Cinema POCKET raw files, but I am working with files from the 2.5K Blackmagic Cinema Camera, which should give no trouble. In fact, as I said, I was perfectly able to work with them.
I have introduced no changes in my computer or the CC Suite, so this sudden error is all the more puzzling. The wav file will get imported, but none of the DNG files will.

Premiere Pro :: Whole Video Doesn't Import

The whole video doesn't import, only part. I can import the entire video in AVS Editor, but not Premier Pro.

Premiere Pro :: How To Import MP4 Files From Galaxy S3

I work with Adobe Premiere Pro CC, and I am able to import the MP4 files from my Galaxy S3. The video files are very good quality. The problem is that the videos do play, but they are really choppy and freeze alot. Is there any way I can makes my MP4 video files run smoothly?

After Effects :: Import Title From Premiere Pro?

Is it possible to import a title from Premiere Pro into AfterEffects?
AE CS6
PP CS6

Premiere Pro :: Audio Out Of Sync After Import?

I've been doing some game recordings with Nvidia's new ShadowPlay. The recording says it is done in '1080p @ 60 FPS with H.264'. The recorder outputs into a .mp4 file. When I watch the raw footage, it is all properly synced. However, when I import it into Premiere, it is always out of sync without fail. I know very very little about the program, and have been trying to learn as I go, but I can't seem to figure out how to re-sync it. For now I've been having to cut the sound into parts and adjust the rates manually to get it to sync back up, but this is insanely tedious.

AutoDesk Smoke :: AAF Import From Adobe Premiere

Import from Adobe Premiere via AAF in Smoke 2013 Trial1 seems to work fine except:
a) only two audi tracks got imported
b) additional mono tracks in Adobe got lost during the conversion
Might be worth investigating. Bug?

Premiere Pro :: Where Can Get The Codec To Import IMovie Clips Into CS6

I am running a PC with Win7 & PPro CS6
I have a bunch of clips that were copied over from iMovie imports (no original files exist anymore)
They are all a special form of .mov
I can play them in VLC Media Player (but not Quicktime, or WMP) so I know that a pc can handle them..
When I import into CS6 I get an errorsaying Codec missing or unavailable..
Whered can I get the proper Codec?

Premiere Pro :: Import A Sequence Into Another - Only The Video Imports?

When I import a sequence into another, only the video imports now

Premiere Pro :: CS5 Can't Find AVCHD / MTS Files To Import

I have tried a couple of things to try and get Premiere to see the AVCHD files. I have copied the all the files over from the Canon Xa10 individually and the 'Private' folder and then tried to import. Still couldnt see them. It seems like its not a supported file type. PP should be able to do this shouldn't it?
I currently am running Premiere Pro CS5 with Windows 7 64Bit

Premiere Pro :: Import Only Taking Audio Not Video

I'm importing a 878,367KB .mov file into Premiere Pro - and while the full audio is there, the video screen is just green.When I put it into a sequence, the preview pane is black - and when I try to render it, it says 'Error compiling movie. Unknown error.'

Premiere Pro :: How To Import A Power Point Presentation

How can I import a Power Point Presentation into Premier Pro

Premiere Pro :: Can't Import Closed Captioning XMLs

Premiere Pro CC reports generic importer error.

Premiere Pro :: Loss Of Contrast And Saturation After Import?

I don't know why, but when I'm importing video files to Adobe Premiere Pro it automatically changes their contrast and saturation.
I tested it on another PC with trial version of Adobe Premiere Elements and same problem occurred.
I like to do most of the adjustments on the camera it's quite an issue for me. I work on Canon 5d MK II and MK III

Premiere Pro :: Deactivate Or Change The Import Settings?

I'm using a Blackmagic Intensity Pro with Premiere Pro. I don't Import anything with it directly, i just use it to preview my timeline on a seperate monitor.
The issue I have is when I try to import a AVI-file to my project.before I had the Intensity Pro, Premiere would input the file as a Microsoft AVI and it worked perfectly. But now the exact same file is imported as a Blackmagic AVI-file. now I am experiencing green bars in my video and the color information is totally screwed up.
So my question is: can I deactivate or change the Import-settings of Premiere, without to remove the Card completely (turn PC off, remove card, turn back on..)?

Premiere Pro :: Won't Import Full Frame Range Of MOV?

I am working in a custom project. 30fps (progressive). My quicktimes begin at frame 0. When I look at the files in quicktime, the frames are there. When I import the files into premiere CC. the first 2 frames are not viewable and my imported clip begins at frame 2. Is this a settings thing?

Premiere Pro :: Converted Canon EOS MOV Files But Still Crash At Import?

I read the FAQ on files not importing but am afraid I am having a weird problem.I converted my canon's .mov files to several types :avi,mpeg, and mp4, but they still cause PP to crash every time I try to drag the imported file into the source panel.
I am running HP on Intel Core i7 2630 QM CPU with 6 gig RAM and 64 bit Windows 7.
Deets on the AVI file that caused the crash:
data rate 20000kbps
fps 29
1920x1080
lenth 56 seconds file size 97.7 mb

Home > Articles > Digital Audio, Video > Adobe Premiere Pro

1. Importing Files into Adobe Premiere Pro

The first step to starting a project is getting your media into Adobe Premiere Pro. No matter what kind of project you’re doing, if you can’t import media, you’re stuck. Adobe Premiere Pro offers different paths to importing including an Import command, Media Browser, and Adobe Dynamic Link. The one you choose will be based on the source material and your objectives.

Of course, not everything will come in the way you expect it. So, it’s essential you know how to modify clips. Adobe Premiere Pro also doesn’t work alone: It’s crucial you understand the real “superpowers” of the suite. You can draw assets from the rest of the Adobe Creative Suite components, including Adobe After Effects, Adobe Photoshop, Adobe Audition, and even Adobe SpeedGrade. In this chapter, you’ll learn about importing files and the effect it will have on your system.

Importing Files into Adobe Premiere Pro

Overall, Adobe Premiere Pro behaves the way most other editorial systems do. It provides a link from the original media to a pointer that lives inside your project. After you’ve imported media files, moving them outside the application can break links.

You can directly import assets into Adobe Premiere Pro in four ways:

• Standard importing by choosing File > Import
• The Media Browser panel
• Adobe Prelude
• Adobe Bridge

Whichever way you use Adobe Premiere Pro, it will create a link to your media, whether the media consists of videos, stills, or audio files (or even a dynamic project from one of the other Adobe Creative Suite apps, such as After Effects).

Standard Importing

Standard importing is probably the most straightforward type of importing you can do, and you’ve been doing it for years. To import any file, choose File > Import. If you prefer to use keyboard shortcuts, press Command+I (Ctrl+I) to open the standard Import dialog for Macintosh (Figure 4.1) or for Windows (Figure 4.2).

Figure 4.1. The Standard OS X Import dialog; note the search box in the upper-right corner.

Figure 4.2. The Windows Import dialog; note the search box in the upper-right corner.

Let’s import a clip to see this process.

1. Download opera for mac os. Choose File > Open, and navigate to Lessons and Media > Lesson 04 > 04_getting_started.prproj.

   This is is an empty project that’s set up for the media in use.

2. Choose File > Import.
3. Navigate to the Lessons and Media > Lesson 04 > Imports folder on your local drive.
4. Select the first clip (0022AO.mp4), and click the Import button.
5. Click the New Bin button at the bottom of the Project panel or press Command+/ (Ctrl+/).
6. Name the bin File Menu Imported, and drag the clip into the new bin.
7. Repeat these steps for the two other clips in the Lesson 4 folder (0024P1.mp4 and 0025RB.mp4).

Using the Media Browser

Our favorite import method, by far, is the Media Browser (Figure 4.3). Its flexibility makes it superior to the standard file system import. Not only does it display the files in a straight list, but it also adjusts the view using the metadata. Being able to see this meta-data makes it far easier to select from long lists of files or shots.

Figure 4.3. The Media Browser has the capability to display clips and cards from popular formats like P2, XDCAM, RED, and even Arri.

By default, you’ll find the Media Browser in the lower-left corner (if your workspace is set to Editing). You can also quickly access it by pressing Shift+8. Because it’s a dedicated panel in Adobe Premiere Pro, you can save it to a specific workspace or move it around so it lives in a different part of the interface.

The major benefits of the Media Browser include the following:

• Auto sensing of camera data—AVCHD, Canon XF, P2, RED, Arri, Sony HDV, and XDCAM (EX and HD)
• Narrowing the display to a specific file type, such as JPEG, TIFF, XML, AAF, and more
• Viewing and customizing the display of metadata
• Spanned clips appear as a single element

Once the Media Browser is open, you’ll find that it is not significantly different from browsing using the OS. You can navigate through the folders on the left side and use the up, down, left, and right arrows in the upper-right corner.

Camera media

Adobe Premiere Pro’s Media Browser (Figure 4.5) automatically recognizes camera media, meaning that if you navigate into a directory of XDCAM, P2, or RED files (among others), it will autorecognize the footage. This makes it easy to use and adjust metadata from the field.

Let’s use the Media Browser to import the clips from a copy of a P2 card.

1. Start with the same project from the preceding exercise.
2. Click in the Media Browser, or press Shift+8.
3. Press the grave accent (`) key to display the Media Browser full-screen.
4. Navigate to Lessons and Media > Lesson 04 > Imports > P2 CARD 1.

   Try hoverscrubbing by moving your mouse across the images.

5. Change from the thumbnail view to the list view by clicking the list icon in the bottom left of the Media Browser.
6. Select the three clips (002AO, 0024P1, 0025RB), and choose File > Import from Media Browser.
7. Press the grave accent (`) key to return the Media Browser to normal size.
8. Click the Project panel to make it active, create a bin called From Media Browser, and move all the clips you just imported into that bin.

Narrowing file types

Being organized in the editorial process is a key skill, both within and outside of Adobe Premiere Pro. Yet, sometimes you’ll find yourself scanning a long list of files for a specific format (Figure 4.6). An easy way to reduce the number of files you’re looking at is to limit the file types to the specific format you need.

Figure 4.6. Not only can you limit the files to a specific format, but you can also select multiple formats, such as stills, which makes finding just the stills in a directory quick and painless.

Adobe Prelude

New in the CS6 family is Adobe Prelude. Think of Prelude as a “preprocessor” for your file-based media. It will allow you to preview your media, choose which clips you want, and even allow a logger or producer to do some basic editing.

Most important, Prelude can copy your media from one location, such as the card that came from your camera, to a specific set location, helping you stay organized. And it’s even possible to make extra backups of your media at the same time. The best part? The data with these copies is verified, which ensures that every bit is successfully copied and backed up.

Ingesting

The first step to working with Prelude is to ingest the media. Ingesting means adding the media to your drives. By ingesting to the right location, such as your media drive, you’ll end up quickly organized for future editing.

Let’s ingest some media.

1. Launch Adobe Prelude, and then click the New Project icon on the Welcome screen (Figure 4.8).

   Figure 4.8. Akvis charcoal crack. You can quickly start a project in Adobe Prelude; the method is nearly identical to Adobe Premiere Pro.

   You’re going to capture the media to your desktop. Realistically, you’d pick your own media location for this. Cvt engine nissan. You’re creating this folder so you have an easy time finding (and later deleting) the media you’re creating on your machine.

2. In the dialog box, navigate to your desktop folder.
3. Create a folder called Card Media.
4. Name the project Desert P2 footage, and save it in the newly created folder.

   You’re now looking at the Prelude interface (Figure 4.9). There are four buttons in the top left to help focus on the streamlined workflow.

   Figure 4.9. The four major steps in Prelude are echoed by the buttons Ingest, Logging, List, and Rough Cut.

5. Click the Ingest button.

   A drive/file list comes up that resembles the Media Browser in Adobe Premiere Pro.

6. Navigate to Lessons and Media > Lesson 04 > Imports > P2 Card 2 (Figure 4.10).

   Figure 4.10. Similar to the Media Browser, the Ingest dialog box has the ability to switch from List to Thumbnail in the lower-left corner.

7. Click the Check All button (along the bottom of the window).
8. Make sure to select the Transfer Clips to Destination button.

   Change the primary destination to the folder Card Media on your desktop that you created in step 4.

   You have these options at this point:

   • Transcode the footage
   • Add subfolders (creating an organized structure)
   • Verify that the copy occurred without errors
   • Add a destination to create a copy somewhere else
   • You’re not going to do any of those now, but know that you have the option to adjust how and where Prelude ingests your footage.

9. Click Ingest to start the transfer of the media.

   The footage is copied and placed on the left side of the Project panel. You can double-click any clip and use J-K-L In and Out points and other basic editorial tools to prepare for the edit in Adobe Premiere Pro. You can also add descriptive markers that speed up the editorial process. Be sure to check out videos #09 and #10 for more information on these tasks.

Sending your ingested media to Adobe Premiere Pro

Adobe After Effects Vs Premiere

Once your footage is ingested, copied, and possibly marked and edited together, all that remains is the hand-off. Fortunately, the process of moving from Adobe Prelude to Adobe Premiere Pro couldn’t be easier.

Let’s send our ingested video to Adobe Premiere Pro.

1. Create a new bin called P2 Media from Prelude.
2. Select all the clips in your Adobe Prelude project, and place them in the new bin.
3. Select the new bin.
4. Choose File > Send to Premiere Pro to transfer to the Adobe Premiere Pro project that’s currently open (you must have a project open).

5. Switch to Adobe Premiere Pro. The files appear in the Project panel ready for you to use.

   In your own projects, be sure to give the bin a more discrptive name that matches the content and role of the footage.

6. You can now quit Adobe Prelude and close the project.

Importing After Effects Into Premiere Pro

Adobe Bridge

Most people encounter Adobe Bridge (Figure 4.11) via Adobe Photoshop. In case you’ve never used it, it’s a dynamic media browser—think of it as a file browser on steroids. It’s a media browser that is optimized mostly for still photography, but it has loads of power for video users.

Importing After Effects Into Premiere Pro

Figure 4.11. Adobe Bridge is a versatile program in its own right. Notice Filtering on the left side and Video Metadata on the right side.

You can manually open Adobe Bridge by clicking its application icon. You can also choose File > Browse in Bridge in Adobe Premiere Pro to automatically launch Adobe Bridge and point it to the same directory that the Media Browser is viewing.

Adobe Bridge has a few killer features you should know about. They are optional uses but are very powerful in and out of the video workflow, acting as a significant replacement for your native OS file system. The features we’ll focus on are adding metadata (such as a rating), batch renaming, and collections (on the accompanying DVD).

Open Sans Premiere After Effects

Adding Metadata with Adobe Bridge

Metadata is additional data about the actual video in the shot. It could include information such as the frame size of the shot or the scene number. With stills, metadata can include all sorts of common EXIF data, such as aperture, location (if the camera has a GPS chip), and camera model or lens.

You imported material earlier in this chapter. By adding the metadata to the QuickTime files, you’ll be able to contrast your existing imported files by importing the same files after you’ve added metadata. The choice to add metadata offers additional organizational ability in Adobe Premiere Pro, such as being able to sort on information such as shot type. Because the metadata stays with the clips, the media will be easier to organize in the future if you bring the clips into a new project.

Export After Effects Into Premiere

1. Continue working with 04_getting_started.prproj.
2. Launch Adobe Bridge by choosing File > Browse in Bridge.
3. Navigate to the Lessons and Media > Lesson 04 folder.
4. Select all three MP4 video clips (0022AO.mp4, 0024P1.mp4, and 0025RB.mp4).
5. Select the Metadata tab (in the lower-right corner), and scroll down to browse the categories.
6. Find the Video category, click Scene, and add the scene number 15 (Figure 4.12).

   Figure 4.12. Customizing the Scene metadata. You can change any field that has a pencil next to it.

   If you see a pencil icon, it means the field can be adjusted. After the metadata has been added to the clips, the clips are permanently modified.

Viewing metadata from Adobe Bridge

You’ll now directly import these clips in Adobe Premiere Pro. Earlier they were imported without the new metadata. Those previously imported clips don’t have metadata. You’re now going to import them again; the difference is that now there’s new metadata. Both clip imports will exist in the same project, but you can see the metadata difference. Let’s make a quick comparison of this information.

1. In Adobe Bridge, select the three clips you just added metadata to.
2. Choose File > Open, or press Command+O (Ctrl+O). The clips should now be imported into the Project panel in Adobe Premiere Pro.
3. Create a bin called From Bridge, and move all the clips into that bin.
4. Click the Project panel to select it, or press Shift+1 and then click the grave accent (`) key to view the Project panel full-screen.
5. Switch the Project panel to list view by clicking the list view icon in the bottom-left corner.

6. Click the disclosure triangle to open the File Menu Imported bin and the From Bridge bin.

   You should see the same clips in both folders.

7. Scroll to the right until you see the Scene column.

   Note that the items in the File Menu Imported bin do not have the scene number, yet the ones that were imported from Adobe Bridge do. The only reason the newer clips have this data is that they were imported after you added the data in Adobe Bridge (Figure 4.13). If you were to import them now via the Import command or via the Media Browser, the new import would also have this metadata.

   Figure 4.13. Note the differences in the Project panel between the two lists of identical files. Adobe Premiere Pro can display only the metadata that was embedded in a file prior to its import.